What to charge — and what you're giving away free.

We are not going to publish a rate table with numbers we cannot stand behind, because the honest answer is that two creators with identical followings should often charge very different amounts. What is teachable is how a rate is built — and once you can see the parts, pricing stops being a guess.

Why nobody can give you a single number

A rate card that says a certain follower count equals a certain fee is wrong often enough to be dangerous. The same creator should charge very differently for a single organic story versus a reel the brand will run as paid advertising for a year with exclusivity attached.

The follower count barely moved between those two. The value transferred moved enormously. Price the value transferred, not the audience size — that is the whole discipline, and most creators never learn it because everyone quotes them a follower-based number instead.

The five things that build a rate

1. Deliverables. How many assets, in what formats, with how many revision rounds. Each additional deliverable has real cost to you — shooting time, editing time, and a slot on your feed you cannot sell twice. Bundle discounts are reasonable; free extras are not.

2. Usage rights. Whether the brand can only benefit from your organic post, or can also run it as paid advertising, put it on their website, use it on a billboard or in a marketplace listing. This is the single largest and most commonly given-away component of a rate.

3. Term and territory. Rights for three months cost less than rights forever; rights in one country cost less than worldwide. Perpetual worldwide usage should carry a substantial premium, and you should be suspicious of any brief that asks for it casually.

4. Exclusivity. If you cannot work with a competitor for six months, the brand is buying income you would otherwise have earned. That has a price, it should scale with how long and how broad the restriction is, and it is always negotiable.

5. Audience quality. Engagement, audience relevance and buying power. This is where two creators with the same follower count legitimately diverge — and it is the component our matching engine weighs most heavily.

Usage rights: the thing you keep giving away

Here is the pattern we see constantly. A creator quotes a fee for a reel. The reel performs. The brand then runs it as a paid ad for eight months, in every state, with spend behind it that dwarfs what the creator was paid — and the creator never agreed to that, or agreed without realising what they were agreeing to.

Organic posting and paid amplification are two different products. If a brand wants to put media budget behind your face, that is advertising usage and it should be priced separately, with a defined term and territory. Instagram's partnership ads make this technically easy for brands, which means the request is now routine — you should expect it and have a number ready.

The version to be most careful about is the brief that quietly says perpetual, worldwide, all media. Ask for a term. If the answer is that it has to be perpetual, then the price has to reflect that it is perpetual.

How to quote without underselling

  • Ask what the content is for before you name a price. Organic only, or paid usage? What term? Any exclusivity? You cannot price what you have not scoped.
  • Quote a package, itemised. Base deliverables, then usage as a separate line, then exclusivity as another. Itemising makes negotiation about scope rather than about your worth.
  • Give a range only if you must, and make the bottom of it a number you are genuinely happy with — you will be held to it.
  • Negotiate scope, not price. If the budget is fixed and lower than your quote, remove a deliverable, shorten the usage term, or drop exclusivity. Never simply cut the number.
  • Put the term in writing. A rate agreed verbally with no defined usage window is how creators end up as unpaid ad talent.

Barter, and when it is acceptable

Product-only deals are worth taking in exactly two situations: the product is genuinely worth more to you than the fee you could command, or you have no portfolio yet and need sample work. Outside those, "exposure" is not payment and a brand with a media budget has money for creators.

Where products form part of a paid deal, treat them as a bonus rather than as part of the fee. Every deal through our network pays cash; products can be added, they cannot be the whole consideration.

If you are quoting for UGC instead

UGC pricing works differently, because you are selling production rather than reach. Follower count is largely irrelevant and usage rights become the dominant component of the quote. Becoming a UGC creator covers how that market works.

Either way, get your media kit in order first — a brand that can see your audience data clearly argues about price far less.

(01) — The essentials

What matters most.

The parts worth getting right before anything else.

A

Deliverables

Assets, formats and revision rounds. Bundle discounts are fine; free extras train brands badly.

B

Usage rights

Organic post, or paid advertising? The largest and most commonly surrendered part of a rate.

C

Term & exclusivity

Three months costs less than forever. A competitor block is income you are selling.

D

Audience quality

Where two creators with identical follower counts legitimately price differently.

(02) — FAQ

What to charge, answered.

Why won't you publish an influencer rate card for India?

Because any single number would be wrong often enough to be dangerous. The same creator should charge very differently for one organic story than for a reel a brand will run as paid advertising for a year with exclusivity attached — the follower count is identical and the value transferred is not remotely. Publishing invented benchmarks would cost creators money, which is the opposite of useful.

What are usage rights and why do they matter so much?

Usage rights define what the brand can do with your content beyond your own post — run it as a paid ad, put it on their website, use it in a marketplace listing or on a billboard. It is the largest and most commonly given-away component of a rate. Organic posting and paid amplification are two different products, and if a brand wants media budget behind your face, that should be priced separately with a defined term and territory.

A brand asked for perpetual worldwide rights. Is that normal?

It is common in briefs and it should never be casual. Perpetual worldwide usage is enormously more valuable than a three-month domestic licence, so ask for a term first. If the answer is that it genuinely has to be perpetual, then the price has to reflect that — and if the brand will not move on either the term or the fee, that tells you what they think your work is worth.

How do I handle a brand whose budget is below my rate?

Negotiate scope rather than price. Remove a deliverable, shorten the usage term, drop or narrow the exclusivity, reduce the revision rounds. Simply cutting your number teaches that brand — and, since brands talk, others — that your quote was never real. Adjusting scope keeps your rate intact and still gets the deal done.

Should I ever accept product instead of payment?

In two situations: the product is genuinely worth more to you than the fee you could command, or you have no portfolio yet and need sample work. Outside those, exposure is not payment, and a brand running a campaign has a media budget. Where products form part of a paid deal, treat them as a bonus rather than as part of the fee.

(04) — Contact

Ready when
you are.

Free to join, no follower minimum for UGC work, and every deal through us pays.